英國繪畫藝術(shù)畢業(yè)dissertation-Analyses on the emotional factors through landsca

英國繪畫藝術(shù)畢業(yè)dissertationAnalyses on the emotional factors through landscape painting

introduction

In the 21 st century, Britain to the nineteenth century landscape painter, representatives of the research has more through thoroughly. In the present documents and records, predecessors to through the research, most from his painting techniques on exploration. In this paper, the of all kinds of landscape painter contrast, through the landscape painting that difference. Combined with the painter's family background, lost a mother's love through that early on is withdrawn, extreme, and fit in. This expression of emotion to use his landscapes creation concept in. His work is to use light for most express, show the British fog moist. In his work, can't see curt contour line, the use of light and color on the shape of the form. From the creation of the painter experience, and art style of precipitation, the analysis of the representative works, all through the to the evaluation, the conclusion that it is to use emotional, works out, is a master of the history of English landscape unique.

A relationship with nature, landscape

As the human landscape and represented on their own living environment of a kind of way, naturally acted as the carrier of this form of art. Great artists use of unique idea is we created countless good works. According to the artist of the different orientations of landscape painting, I will be divided into three kinds of landscape painting expression.

(a), according to the nature of the prototype artist sketching on creation, called the "primary sent artist"

In the western landscape painting, many artists directly using nature paintings creation, outstanding performance nature true colors. For example: 17 th century Dutch landscapes have inherited this feature and traditional.

17 th century Dutch landscape has from the Renaissance ideal style of the landscape. Their scene not the bible or mythological, no country labor scene, is a description of the bland local scenery. The Dutch landscape painter although more faithfully express the nature of the original face, but it is also in the studio is engaged in writing, to share the idea, with part of the memory and emotion to performance, outstanding "natural selective similar" ideas, and make reappear in nature before the viewer.

The Dutch landscapes with a kind of brand-new observation methods and copy methods to the fore, real recreate natural landscape of the Netherlands is the biggest characteristic. The Dutch painter Yang, van for godot with other peers artists is almost in a single colors on a canvas of land and water performance, is a description of the bland local scenery, created by independent type of landscape in historical position, and Renaissance landscape than before the only subject as a historical background picture is completely different. In this batch of paintings of the narrative no content, but they engaged in landscape painting with an ideal of French and Italian painter than is different. The Dutch landscapes of breakneck development should be credited to 15 and 16 century of Flanders painting, especially the atmosphere of pure hot perspective skills. The Dutch landscape painter although advocate natural and like a mirror to copy faithful natural true colors.#p#分頁標(biāo)題#e#

"Yang • van godot is first generation because Dutch landscape painter of the outstanding person, is the most gifted, also the most productive a painter. The painter to the river, and the view of the harbor a special interest. Drawing style has natural tendency to socialism and quite consistent, in his works can be clearly identified is Dutch landscape. From the 1620 s, he began to form his own style, the composition is simple, the space is open, and is good at using the adornment colour of the baroque to describe the rivers and the sky of clouds the sun."

The landscape for godot created the return to natural ecru first, true recreation of the Dutch water scenery. He has a color characteristics, that is, most tonal changes in temperature, brown, also use silver green, it has an attractive baroque style characteristic, for example, represents the work "has a double glue tree scenery" (see chart 1), the viewer can gain a harmonious aesthetic feeling.

The Dutch landscape obviously in accordance with the country scene depict, can be clearly identified is the Dutch landscape. At first glance seem to directly copying nature, but, in fact, describe the terrain rarely exactly like, although often can identify landscape in the picture, sometimes even close to the fine map. The screen's van hogwarts, history, in 1678, who said: "natural selective similar" to reappear in nature before viewers saying this.

(2), many artists will send their emotions in scenery, has formed a emotional artistic atmosphere, called it "a lyric poetry of landscape painter".

The emotion of the landscape to send representatives to the oil of painter, his works from the middle of the nineteenth century, mainly is subjective feelings, emphasis on personal experience. Pictures show the characteristics of fantasy, and meditation, will all of nature is shrouded in mist of transparent. The monte fontana memories "(see chart 2), and" the forest of the demon dance "(see chart 3) are the most mature, the late oil to represent his style of typical works. In the light and color of the natural scenery and the skills people activities combined, gives nature grandeur of the image, a direct impact on the barbizon school. Barbizon school, they depict the operations of the common life environment and scene, from the most common nature and daily life found in subject matter of aesthetic value.

The oil is not fiction out of landscape painting, also not to copy the reality of mechanical natural sights, but more than natural beauty of lyric poem memories. Therefore, the oil works nature image, full of people's feeling, in the art history, people got used to seeing the he called "mood painter", his performance of the natural scenery, and at the time of the traditional academic so-called "historical landscapes" completely different things.

From the middle of the nineteenth century, oil painting in the main is subjective feelings, emphasize intimate feel, landscape and image is a dream, the characteristics of meditation, all nature is shrouded in mist of transparent. The monte fontana memories "is the most mature late oil, most representative of the typical art style he works. Picture appear, is not only the trees and the pond, the character and the lawn, but also echoed with a beautiful ChenQu, like Mozart's lyrical music general exciting. Painting performance in the oil is on Mr Schwartz river near Nashville has fontana monte jungle good memories: the mist clouded the river and reflections, are melting in a silver-grey stressed in, shares in oak, present a warm adjustable olive, mothers with children at water's edge is full of sweet and kind of feeling. Trees right big left little, lost of the layout of the equilibrium, but the characters of the view of the foil but it caused mobile, makes the picture produces visual balance, show that the painter unique composition skills and rich imagination. Vision are not completely cleared by morning the fog of, make the shadows and the lake edge hazy blurred, and add more of the morning quiet feeling and lyrical means is full of fascinating poetry. Be full of life and moral character, which echo the theme.#p#分頁標(biāo)題#e#

Oil is of art with lyrics words to praise the nature.

(3), artists through the landscape, the use of wonderful colour to express their feelings, called the "landscape painting is an artist the mirror of the heart"

The painting is the performance of the objective world, and as an artist feelings portraiture, reflect the human world of laughter, anger, sorrow and happiness.

Russia landscape painter LieWeiTan work vividly embody the complex thoughts and feelings, and reflect The Times and social relationships. Such as the representative work "the bells" (see chart 4), "the abyss" (see chart 5), and "the spring, the waters" (see chart 6), and so on. Landscape painting is both the products of history, its style nature by human society to restricting the development of history. Russia the beauty of nature, through the national feeling with strong the realism of the painter's brush to performance, Russia as the 19 th century painting exhibition tour last major national school, is the most suitable for bear this task.

The turn of the century of Russia's painting, landscape subjects developed rapidly, and the emergence of so-called "emotional landscape works", "emotional landscape" task is to make personal nature, through the natural state of human expression the feelings of the world. LieWeiTan is established "emotional landscape" style of the painter.

19 century is LieWeiTan creation peak. LieWeiTan landscape to generalize and develop the social life all kinds of subject matter, and boldly explores the life of philosophy. He not only has the spirit of The Times of the landscape, and the characteristics of life. LieWeiTan said, "painting should be simple and loyal to the nature". Chekhov admire his talent, said his genius by day but not by the hour in increasing. Chekhov is particularly valued LieWeiTan loyal to the spirit of life. He wrote that: "sincere true, this is the mission of literature and art. If you want to LieWeiTan painting tree and told him to draw the bark of dirt and the yellow leaves, it is fatal." But LieWeiTan understand the real structure is the real. He said: "we played the is natural comprehensive style. Portrait painter also don't draw a toothache poet or when general, although the poet and the general sometimes toothache."

In 1892, LieWeiTan created a unique landscape, it is the world-famous "v pull Jimmy's" the road (see chart 7). The whole picture is the sky, field into two parts, the sky is gray, it has dark clouds; The field is broad, however cold desolation; Thru heaven and earth, is a row of charge small forest, and the rest is a far to the road, it is occupied the center of the picture the scene. This road is very wide, however very desolate, and the two were by stamping on the path, a left or right side of the set in it. There is a road signs like thing made at a crossroads side, and a ZhuZhang farmers dress up, is standing there looking sideways. He seemed so lonely, so disappointed, it reminds people of our country the yuan dynasty poet of MaZhiYuan sentence: "a person in the end of the world". V pull Jimmy's from way for a long time, is from the Moscow or after Moscow was sent to Siberia prisoners the necessary way, thousands of prisoners, including many revolution progressives, with heavy chains, are difficult to walk this far out to the article long road. That was out of step path, seems to be accused a tragedy. In this painting, LieWeiTan and no specific performance revolutionaries exiled scene, however, but makes the viewer to seem to see the figures, especially ones that diffused to distant avenue, the viewer to lead to the painting but outside of the local-Siberia, there was the end of the exiles. LieWeiTan with masterly craft, impressive displays the grey day sadness mood, the performance is the vehicles and lonely along the road to walk travelers, the painter in the painting, reflects the lofty ideological content, reflected the deep, social, civic conception. By showing the way of the far this article, and embodies the against the brutality of the feudal serf system at that time. LieWeiTan with deepest sympathy at that time to the revolutionaries and the tyranny of indignation, wonderful to describe the full article, though desolate but it can arouse people a lenovo, dirt road, and the make people can't help to those who oppose autocratic system of the tsar revolutionaries have deep sympathy and heartfelt admiration. This kind of intense humane care reflected in many of the scenery LieWeiTan works, give a person prolongs shock, this is his work's most admirable place.#p#分頁標(biāo)題#e#

These are all kinds of artists, because of age in, life differences in background, and create a wide variety of landscapes, worth our research. Personally, I think the third painter is performance of the landscape of the highest level, art is the crystallization of human emotions, do not contain the emotion of art is not exist. Landscape on the surface is performance of the objective world, however, in the objective world, can be seen everywhere artist subjective shadow. Art household emotional to painting landscapes, with subjective to lead, to express or even change the objective world. This type of the artist's landscape painting is to get higher cost. Because the only way, landscape has a "spillover effect, can lead to emotional viewers a higher emotional world, and the world is the viewer itself can't expect.

The nineteenth century Britain's great landscape painting artists through the third type, belong to the artist, will own mind and the objective world, the introduction of the painting, and use of painting full expression oneself of emotions. Be described the object is not only to the objective, the real and the external beauty, and that the nature of the unpredictable. Light, color, and movement in the subject of real become works. Through the creation of a personal expression will no longer works for any special needs, and just for myself. And it is this emotion produce it cause he landscape unique, let us explore the future generations to study.

Second, art style accumulation

Through the (see figure 8) was born in families at the ogaden venter's Rhine. A poor, and his father was a barber, mother died of a breakdown, since the childhood and father depended on each other. In painting he was a precocious child, his father was the small, often through the painting sold to the customers. Through the first family with a scenery watercolor watercolor in 1789, the real art learn to school in his art. Later in the father in 1793 with the help of the set up his own studio. 24 years old, because he art achievement is outstanding, by the royal art learn to accept the most young for abnormality member. Through the first to aquarelle is given priority to, later with canvas primarily. Through the landscape, different, in his art throughout his philosophy of thought: facing the magnificence of eternal nature, the course of life is short and unreal. He ever been to Switzerland, France, Belgium, Germany, also traveled to Italy, by classical painters lorraine influence. Through the are painting of the nature is the feel natural, rose gold called him "the sense of realism". He is good at to natural as precise observation, careful understanding of poetic scenery, he had painted in fog, an evening and shade fine climate, can do natural beauty and unassisted. He changed the traditional British painting the narrative, the lyric in the first place. Picture passion is bold and unrestrained, abound fantasy and romantic breath. His works using bold unique composition and the colour of profusion, cause looks like a dream picture, his landscape and the natural epic, the natural high performance. His techniques for the future, including impressionist painter has had a profound impact. Through the life of a Marine landscape painting, see his picture, the viewer is often difficult to calm mood, sunshine, smoke, moisture, wave fog...... Is the pure light that the combination of the rhythm.#p#分頁標(biāo)題#e#

The development of the British watercolour scenery of the landscape and the terrain map development have close relationship. 17 to 19 century is the national landscape painting production and development period. Painters in order to show the beauty of British natural scenery, must break the iconic, false rules of the landscape, the study of natural way to direct and exploration and development suitable for the performance characteristics of the English landscape painting method. British humid climate, rich and changeful color atmosphere. Watercolor is suitable for performance this change multiterminal natural scenery of a kind of portable means. This is the British artists watercolor become favorite use tools, and first in landscape painting of the success of one important reason.

At that time is near tzi-shue landscape to a popular profession, the need for learned to economic self-sufficiency by supply sources of young artists for it is a good way to make money. Because, European napoleon revolutionary war that Britain had to BiJu in own island, so not only growing middle class began to travel in pursuit of fashion, even the antiquities research and local history research and also have the unprecedented stimulation. To supply the prosperity the demand of the market, a group of artists, print, publishers and print industry began to gather in London. This group of artists gathered make such art of evolved into a business style gradually. The young through the quickly and easily to learn the tricks of the trade business, also take this opportunity honed their own shares.

Through, sketch, watercolor and later the oil painting in the field, are all through the research and copy to learn the techniques. Appreciate his excellent performance in the late watercolor Venice or Swiss lakes often call people clap sticks amazing. Whether performance, the cloud, and the moon mist or sunshine, present effect is that glittering and translucent get rid of, incredible. He so skilled skill level is established in deep drawing of the base, and how can you change these hidebound techniques into one of the interesting work and to attract people effect, for a is more than 20 year old boy is fairly easy. From the pure colour stage to know how to make use of the people living, natural trees, to use the changeable weather and light effect to decorate the landscape stage, can say is experienced all sorts of reasonable development process. Such efforts process, not only the skill of progress, but true scenery to understanding the essence and the growth of the idea.

From the British watercolour painting can be seen in the development, some painter focuses on spring, some painter stress to the lyrical. In the technique, some thin, some dense, some heavy color changes, some heavy light and shade shade, some heavy rendering, some heavy strokes, to form the different style. At the same time, in the water colors were clearly reflect their different times trend of art and the change and development of the artistic faction. Through the embodies the nineteenth century England highest level of the landscape.#p#分頁標(biāo)題#e#

In 1804, through in their own home, the first time a one-man show. The early works in learning from the ancient painter (such as the Dutch view of the sea paintings, French painter at SAN and lorraine scenery work). Because of the effects of light in the atmospheric concentration, his personal style bright up gradually. His style is to use the atmospheric light changes to create.

Watercolor painting for the way to capture the variety of British weather and light, through the life and it has the indissoluble bond. A young man, he GangBiHua or pencil and watercolor combination, nuanced depiction of people at that time favorite scene, then he according to the sketch to create watercolor or painting.

Through the old age of the landscape, the body structure disappeared almost. Colour performance to a certain mood, has the extraordinary aura, and have great artistic appeal. But his work is often discredit and slander, said his painting makes, desultorily, nothing, a piece of chaos. Through the don't care the language of the slander. He has moved at a breathtaking perseverance to their generation for hundreds of thousands of pieces of work. Just as the value of the landscape through art, for it has been raised to and historical painting the same position, this is also through the art essence and contribution is in.

Three, emotional world of art creation

(a), the lack of a mother's love inner world

Through the years, when he lost his mother, sisters and father, said to the mother because mental breakdown, die a tragic death in a mental hospital. From genetics's point of view, because it's mother has schizophrenia the etiology, so deeply, more or less have a similar genetic. Never in the world of maternal love, for through the speaking, the feeling is fragile, so that his personality is outstanding, and others are antipathetic. His creation of his works, most of the use of light principle of the creation, asing if is dazzling light will arouse his artistic inspiration.

With the mind at the creation through, because mental history of genetic factors, let us think of the impression there after the delegate painter van gogh socialist-- Van gogh to play second fiddle to naturalism, and brush the sketch type with multiple twists and turns of the Arab style adornment to draw a line of trees and houses, form the wavy crop and with energy curve melody dynamic. In a letter he wrote: "these days I work, I want to express and fast, modern life that everything haste to the point of frustration." The frenzy of rhythm, make its painting seem to some hasty, but still with a kind of extraordinary calm and clear. In the van gogh last days of his career, should use the painting language to hopes for the peaceful life desire and looking forward to, van gogh the fashionable color landscape, showed his inward gloomy, this will only new life delusion repose in the painting, also can see the beauty of life. Such as the representative work "BoZhongZhe" (see chart 9), and "the peach blossoms" (see figure 10), and "the sky" (see figure 11), etc.#p#分頁標(biāo)題#e#

We can work through the comparison with van gogh works, their works are the product of emotion, are human emotional world of art.

(2) art ideas

(1) the application of landscape light

Through the history of the subject in the work and landscape painting works, light is the question of the core of his paintings. The problem first get treatment in watercolor, because of the nature of this type, need not subject to strict draw up good composition form of at home. As a result of feeling and must first bout with light, so thoroughly that each thing is, light is subject to change, to analyze the rapid change of the air fluctuating with artistic skills to deal with every change of scenery and good pleasure. Although through the main and finally inquiry, the purpose of the light is simple, but he through the analysis to the change of light objects indirectly to examine, just in the study this after a medium, through the light itself, just as an absolute existence.

Through the brush, the shape of things does not care, just a little just outline, he let colour self-contained and may help their own power.

Rose gold describes as shine through theory points out, it's color vision is exactly the opposite of Rembrandt. Rembrandt tend to "DiJiang" coloring, light is the use of indirect, so that to give up and HuaRu shadow. It's coloring is "wu-gong"-through the different levels of light gradual purification, it into a including all light. So we can conclude that out, through the observation of the scenery logic, is the pure and the light of the problems of the absolute as the theme of the abstract out, no matter how to refining, the more effective to this system, it is beyond the limits of conventional nature.

Through this eagerly, the effect of the light of exploration, in terms of form has a powerful role: outline gradually become not important, all sorts of color ability trend. However, as the light through processing of the memory of the air filter and appearance of involuntary discharge of urine detailed performance experiment.

It's work with colorful fireworks covering up their own works lack of shape, structure, full of sunshine, and he cannot open eyes, he felt as if he had nothing except outside warns. And the light of the flame all also quickly lost with it, but through the catch of the world last light, the light of drawing creation, to make up for these have no fear of a mother's love and sad. In it's work, hard things become with liquidity, liquidity things become dense, strong. Landscape overlap each other, shade chromaticity unclear, the disintegration of the universe is like the wind tore the bright smoke drifting. It's landscape painting, poetic, emotional, may be better than all kinds expression, with emotional painting language to tell his inner world. Through for everybody, reveals the nature colour with soul and aesthetic feeling of the grave. Through the as if to dominate the sunset from dawn to the day of the universe, filled with the world, filled with history, will fire and blood of the beam in space project, in the real world and the past years unripe brightness. It is through the landscape painting works embody of sensibility.#p#分頁標(biāo)題#e#

(2), footage of the "spectrum ring"

Goethe in his the color theory "proposed in the book" spectrum ring "principle. He said: "when a bright light source area or in a misty areas appear, this misty area will present yellow, when the lighting source increases, the area of the yellow to orange, and strengthen the will is to become red, until finally, this misty area will become very black, such as a bright cloud, in a black background will appear before the bright blue, and when appropriate light appeared, this little cloud will be purple." Through the good friend Charles eastbourne sprang up in time to g translation of the Goethe this "color theory" and in 1840 will be the book away to the Tate. Through the rare books, to love life. He has long grinds only the book, in the book's edge page on the injectors many GanWuXing text, and drew the light and color ", "Yin and dark" two works to Goethe as theory of color support. Through the painting of the color with the movement, is because he according to this "spectrum ring the principle of" the color of orderly arrangement, and many of his works have followed the rules and the constant movement of color rich landscape presented to the world. Through the landscape, from view, filled with the colour of the movement is undoubtedly the artistic characteristics of a important aspects. Those who be full of pictures of the magnificent changeful color, like the movement the ups and downs of the notes, to give our visual caused a great rhythm attitude. This dynamic colour, and not from the unconscious optional and for, but through the long-term research and practice of the results.

It's work from the rise of Carthage empire "(see figure 12), we can see, the foreground of the characters and the left the scenery in the ground for the sun's radiation and show a red; Above the picture is the sun, then lake and present violet. In the picture the distribution of all kinds of color gamut is very clearly shows the "spectrum ring" arrangement characteristics, thus to our visual cause a kind of rhythmic rhythm feeling. And if you look at, in the wind and snow: Hannibal lecter and exposed to the army go over the Alps "(see chart 13), and" the Capitol building fire "(see figure 14), the giant LvFei grabber Ulysses laugh at moss" (see chart 15) and a series of works there have this "spectrum ring" characteristics of the colour structure.

The number of fearless sunk "(see figure 16) is through the whole life most" dear "works, this picture later work more prominent than ever before the orderly arrangement of color. Red sunset was full of picture right sky, and sky on the left and revealed the orange and the distance of blue purple sea formed between the rich and harmony tonal contrast, more foil a gorgeous and colorful setting. Yellow ships break at the green purple water, has been set off to a yellow sea slowly towards the red, the colour of the whole picture is like a QuHongWei symphony, the colour of the progressive also have "spectrum ring" feature, amazing, a little.#p#分頁標(biāo)題#e#

Through the use his emotions draw became our eyes the full of the movement of the world.

(3), and representative works of analysis

It's very strong creativity, works very rich variety. Outstanding works are: the sea fishermen "(1796) (see figure 17), and" the vendor slave ship "(1840) (see figure 18), and" the battle of trafalgar "(1806-1808) (see figure 19), and" the pater's wo interior view of "(1837) (see figure 20), and" the rain, steam and speed "(1844) (see FIG. 21), the peace, HaiZang" (1842) (see chart 22), and so on.

The representative of the famous work was the no. LeiLe, m naval ships "(see chart 23), put a picture of a ship at sea to landscape personified. No, LeiLe meters in napoleon's fleet of warships of the sea, and has a brilliant exploits. This moment to tow it to ship a collapse. Warships from the stage of history, means the end of the battle of his career. This makes it the ChuJingShengQing, produce a kind of hero of the old sad mood. To think that, in the picture and rendering, make this a romantic poetry of saving is charm. It's another thing that famous works, the Capitol building was on fire ", the one with the red sea and the flames of cool color contrast sharply, divulges the painter's romantic passion.

One of the sea in through the painting, theme has special meaning. On the one hand, because it is very love view of the Dutch painter works sake. On the other hand, appear to YuHaiYou on particular emotions. Early in his childhood, it is like, from the river Thames near the sea and the ships of the past. Without a mother's love of childhood times, as if the sea to mother, to consign to mother's thoughts. Old age is live in water to watch people walk ships. Of course more major because of the sea itself because of the constant experience. In 1802, at the age of 27, through the first time across the English channel to visit the mainland Europe, met with storm, XianZao drowning. For the unforgettable experience, he painted the Calais terminal ". The different from traditional brushwork painting style, but that looks not yet finished screen is extremely exciting captured by the unreal impression.

The sunset NuoLun castle "(see chart 24) completed in more than 60 years old painter. NuoLun castle in England and Scotland, on which the junction of the dimension, since the ancient times happened many important campaign. In 1797, at the age of 22, as it had been to NuoLun castle, and accumulated the relevant local landscape writing materials, he deeply fascinated there fields and mountains. Between 1801 and 1802 and 1831, again NuoLun painter to castle, out of the scenery and the history of strong interest and to painting language of the experiment, the painter for NuoLun castle painted many picture distinctive characteristics of works. The prospect of this picture is hazy ancient castle residual marks, the background is blue and yellow primarily complementary color paint mornings. Clearly the castle sparkling, e.g. reddish-brown ox for a picture with the warm add halcyon atmosphere.#p#分頁標(biāo)題#e#

The storm off in a steamboat port: "(see chart 25) is the passion of the later masterpiece, it is still a painter itself in the sea for dibon experience, is a description of the steamboat pulled away from the port had a storm. Because of the sea on the screen seems to abstract, have different at the palace of the painting with a pen, so the Royal Academy of arts exhibition, had caused a critic of the great confusion, some said, this is simply "soap bubbles and white liquid" painting; Some said, this is to use "cream or chocolate, egg yolk and grape jam" onto a. Therefore, the painter was deeply hurt, sighs: "I don't understand that these men idea of the sea is what shape? I wish they really had been to sea......" . In fact, the picture of turbulent waves in the description of the first seems though consisted of pen caocao, "but distance watch, but the momentum of the astonishing, typically reflect the spirit of the romantic in the life and death of extreme experience understanding. In the composition of a picture swirl highlights the and the upheaval of the sea itself, in a steamboat discernible as if to merge into the ocean, but in light of the background of the ship pole but will shake a struggle and hope show incisively and vividly. This rich conflict picture power comes to personally experience the painter. The painter in order to observe with the sea, and he had let the ship's sailors to lock yourself in the ship, to see the storm at sea the live! Through the late work tend to be contracted, colour performance of more powerful. It also is such. But the emotional factors have been landscape of higher level express, is a passion of calm after. However are human emotional higher levels, to "at silent-recorded".

"Summer night, the riverside, William mansion of moffitt" (see FIG. 26) is representative of the picture structure, through to explore light and color of the important work. A year ago he had depicted the same site, but the picture is the dawn; This picture is the view of the sunset, and emphasizes the summer afternoon sun is shining brightly ground steaming picture, like in the real world in under the glare entity can temporarily corrosion off before. Here can see through, with whom I the yellow moves, said it's yellow. At this time, it was as light and color performance effect, the composition is a minor. Originally, "summer night, the riverside, William mansion of moffitt, not the puppy's displayed in the day before, through the go out for lunch, animal painter blue silvia came to a house, see this picture" summer night, the riverside, William mansion of moffitt "hind, the center has stressed that picture should be, and with a puppy cut posted in the river on the dam, through the back even asked after all didn't ask, inadvertently put the puppy drawn, the dog is obviously have the effect that make the finishing point, also for western art history left a much-told story. This picture to get high art evaluation, a French critics say, it showed the effects of light even such light for monet theme is not worth the master.#p#分頁標(biāo)題#e#

In "the boatman moonlight shovel coal" (see FIG. 27) this picture, through the full play of their romantic talent. The ship and torches in picture's extension, and water central a large space are for soft moonlight shining. The subject is after the industrial revolution the coolie in the face of hardship, but they flow through in the promotion to a picture of the extremely rich poetic at night. The moonlight and the clouds, forming a connection between the two sides of the strait bent long, the water glittering, gradually and moon, blue sky and clouds form a receive communion smoke. The left little barges close to the ship, the boatman is shipped from the upstream of the coal to up the shovel, the left parked a few aircraft horizontal sailing, ready to tide it to sea. If a ship, and the flaming torches drudge, projection to water, suddenly dreams. Through the light and color has become the technique of expression of the tree.

Through in watercolor painting, and achievements in advance greatly, he put the natural deck a layer is he imagine color, often and put all the object wrapped in light under, increase the composition of vast and move feeling. Until one hundred years later, people didn't really know and appreciate the benefits of his works. He of that "color began", it is to the world from traditional announced he has treated in the concept of the color of liberation. The color of his life, like after 40 years of the life of the impressionist academic.

conclusion

Art history through the evaluation of is very high, known as he is in the nineteenth century British landscape outstanding representative.

Rose gold in order to gain insights into eyes wrote many comments on the article through art, he too extol, such as in the comment "the UK port," a painting of the article (1856) and "MaErBo ROM building to the display of the works through review (1856), this kind of praise in the" modern painters "(1843-1860) a book reached the pole. Rose gold in this focus on tone, although the deep insight into the opinions are, but difficult to make it to the fair evaluation on art, it's really important to understand significance.

It's the most close rivals KangSi too, Bob in 1828 said: "through the creation of some great, the splendid, beautiful image", he caught through one of the art as basic tendency, he wrote: "through the became more and more unfaithful in nature".

The great French impressionist painter (renoir, BiSha ROM, west weasley, monet and others), wrote to library, a famous's lindsay said in a letter to, their goal is to "make the art back to a strict serious, accurate for observation of the nature, make our own warmly in the campaign also in the moment of light to describe the shape". Then said they "can't forget the great English outstanding painting masters, through, the path to the leading"

In 1858 oil Della, wrote: "it KangSi too, and Bob's are real innovator, the more they out the past landscape painter passes through the road. Our school, in this respect people are numerous, from their example, we get great advice."#p#分頁標(biāo)題#e#

The nineteenth century great English landscape painter through the writing of watercolour painting works, it is to use his heart in creation, when lose love, to his heavy blow, because mother died in a mental breakdown, in accordance with the principle of genetics, he mentally should be affected, his heart solitary cold, strange, and others are antipathetic. So the light of the nature of art, will their feelings repose in the painting, feel the nature of the warmth of sunshine at the same time, the light compared to a mother's love, in the painting in the shadow of a mother's love for creation.

Above all, through the landscape is emotional art, emotional factors in through the landscape painting a decisive role. It is this feeling through the unique artistic style produced, which reflects the unique artistic charm.

The core value of art is to adhere to the human emotions. From the material value analysis, a picture is nothing but a piece of paper or a piece of cloth only, but the mankind has the common love of art and respect, is that art is a kind of spirit product, is the have emotions and is representative of the crystallization human emotions. Emotion is the art is the core value of an art. It's in the landscape, we can feel this kind of value.

Through the painting with emotion, construct a light and color of the emotional artistic world. The history of fine arts become scenery of the unique profound influence on later generations giant.

reference

Book material part:

[1] ZhuBoXiong the, the world famous art appreciation dictionary, zhejiang hangzhou literature and art publishing house, 1991).

[2] GongBuLiXi the FanJingZhong translation, the art history ", tianjin people's fine arts press, 1988).

[3] the deer YuDing radium TongJing HanZhu, the European 19 century art ", Chinese people's university press, 2001)

[4] SongYuCheng the, the foreign art history ", liaoning art publishing house, 2001)

[5] the HeZheng wide, the world famous painter works-through the ", hebei education publishing house, 2001)

[6] DingNing the, the western art history faculty 10 ", Beijing university fine arts press, 2003).

[7] the ZhuLongHua, "art guide people forward", Beijing university press, 2004).

[8] [method] rewi alley, the ZhangYi forset dry ZhangYanFeng translation, the history of the world ", the Yangtze river literature and art publishing house, 2000).

[9] LiChunZhu, the European 17 century art ", Chinese people's university press, 2004).

[10] the China millennium lecture propaganda material, the artists-world museum ", 2007).

[11] LiJianQun the, the European medieval art ", Chinese people's university press, 2004).

[12] the ChiKe, the western art ShiHua ", China youth press, 1998).

[13] (the Netherlands), Peter LiBoGeng, ZhaoFu three translation, Shanghai academy of social science press, 2004).#p#分頁標(biāo)題#e#

Journal material part:

[1] the central academy of fine arts magazine arts research, "world fine arts", 2008) the first stage, the 1987 version of the second period in 1979, the second issue.

[2] China artist association, the China art newspaper, 1987) the first ~ 15 period, 1988) the first ~ 15 period, 1990) the first ~ 15 period, 1992) the first ~ 15 period.

[3] China fine arts college courtyard newspaper, the new art ", 2007) the second stage, the 2004 version of the third period.

英國繪畫藝術(shù)畢業(yè)dissertationWebsite part:

[1] the picture nets www.ieshu.com

[2] the western art nets www.etsc.hnu.cn

[3] British art network www.England.art.com